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- HOW TO CHANGE GUITAR RIG PRESETS VIA FOOT CONTROLLER FULL
- HOW TO CHANGE GUITAR RIG PRESETS VIA FOOT CONTROLLER PC
I've probably forgotten something, but as you can see, using the Helix to control an amp sim is, at best a PITA! If one TAG is sufficient, you can do that in each Helix preset OR just remember to switch to your MY PRESETS TAG when you open GR5. If you're planning to use more than one TAG in GR5 (requiring more than one setlist in Helix), you'll need to set the INSTANT COMMAND that calls the GR5 preset to also send MSB=OFF LSB=GR5 TAG #. In GR5, you need to set up a new TAG (MY PRESETS?).
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This is another thing that needs to be done individually if you use the second method (all GR5 effects available). Each footswitch needs to be assigned a TOGGLING CC# and the scribble strips customized with the name of the GR5 effect that it is assigned to. BTW - this is only a problem in GR5. Amplitube, S-Gear and TH3 work fine with the default behavior, which simplifies this considerably.Įach of the ten (or 8) footswitches in each Helix preset has to be saved ON or OFF to match the SPECIFIC GR5 preset to which it corresponds (so that it reflects the status of the effects and will be ready to TOGGLE the effects ON/OFF as required).
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HOW TO CHANGE GUITAR RIG PRESETS VIA FOOT CONTROLLER PC
Then you assign a PC# INSTANT COMMAND to each preset in the setlist (Helix preset#01A=PC#000=GR5 Preset #001), since PC SEND must be set to OFF in GLOBALS/MIDI to prevent Helix from sending the assigned TOGGLING CCs by default, which can produce unpredictable results in GR5. The advantage of the first method is that you can create ONE Helix preset with most of the required settings, customize the scribble strips with the ten effect names, then copy it to all of the presets in that setlist. Therefore, either you:ġ) decide on a maximum of ten GR5 effects to use in ALL of your presets, and assign them CC#s GLOBALLY (LOCKED) in GR5 orĢ) in each GR5 preset you individually LEARN the CC# for whatever effects you want to use in that preset. You have ten buttons on the Helix to which you can assign a TOGGLING CC#. Therefore, each Helix preset has to be totally custom created to match a SPECIFIC GR5 preset. GR5 responds unpredictably (if at all) to CC#s sent with Program Changes (PC#s), which the Helix does by default (for any footswitch assigned a TOGGLING CC#) when PC SEND is ON in GLOBALS. Each Helix preset has to be custom configured to match the ON/OFF status of the specific effects in a corresponding GR5 preset.
HOW TO CHANGE GUITAR RIG PRESETS VIA FOOT CONTROLLER FULL
On the other hand, when injected straight into a Fishman SA-220 system, the PSA 2.0 turns it into an excellent electric-guitar rig while still allowing you to have full access to the Fishman’s unbeatable acoustic presentation. Running into the effects return of a single- or dual-channel tube combo or head is a great way to go if you’re looking to expand an amp’s palette of tones and still be able to take advantage of the sonic muscle of a tube output stage. What’s impressive is how organic the PSA sounds and how responsive it is to picking dynamics and changes in guitar volume. Used like a stompbox, the PSA 2.0 delivered tones that covered everything from jazz and blues to rock and beyond, as you escalate in gain to the shred and metal zones. The PSA 2.0 is a remarkable pedal offering great analog tones in a full-featured package that fits in a gig bag
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My amps were a Fender Deluxe Reverb and a 1969 Marshall PA-20 with a Celestion-loaded Bogner cabinet. I tested the PSA 2.0 with an assortment of single-coil and humbucker guitars, including a Fender EJ Virginia Strat and a 70th Anniversary Broadcaster, a Gibson ’61 Les Paul Junior and a Johnny A, and a Hamer Newport.